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Old 03-03-2009   #61 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Hi Benji - I've nothing to add to the discussion but just wanted to say thanks for all your tutorials. I've learned a lot from them.


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Old 03-09-2009   #62 (permalink)
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Default Re: Studio Portrait Lighting-A How To

You are certainly a great instructor online but what happened to your winter in house tutorial you normally give? I'm sure there are many Camel Gazers out there that would just love to see your expertise first hand. I've been to a couple of your workshops and come away a better photographer each time.
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Old 03-09-2009   #63 (permalink)
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Default Re: Studio Portrait Lighting-A How To

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Originally Posted by alive1 View Post
You are certainly a great instructor online but what happened to your winter in house tutorial you normally give? I'm sure there are many Camel Gazers out there that would just love to see your expertise first hand. I've been to a couple of your workshops and come away a better photographer each time.
Thanks for the kind words. I'm not sure if I'm going to offer any more classes in the studio. I'm still kicking it around.

benji
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Old 06-14-2009   #64 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Thanks very informative...
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Old 06-18-2009   #65 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Very helpful .... appreciate the photos demonstrating the individual lights and their effect ... particularly the hair lights.
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Old 06-21-2009   #66 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Benji,
I just wanted to say Thank you for your engergy, experience and the time it took you to explain and then have the patience to answer everybody's questions.

Not only did I feel like this was a Master Class, I also felt like I was back in the Studio as an Apprentice helping my Mentor in a shoot.
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Old 06-22-2009   #67 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Benji,
Don Peterson made exactly the same point Don Blair did concerning the parabolic vs the soft box.
I was quite aware why you included the "approximate".

This is a wonderful tutorial, I wish I had had it fifty plus years ago. I could of been at the head of the class!

Thanks for doing the hard part to share with the group. Most students I have encountered have wanted to build their lighting starting with the main light. Beginning with the background to my way of thinking is the best way to see your lighting from the beginning to the end. When using "Mazda"
or 24 inch parabolic diffused Photogenics, I had (still do in fact) 5 of Photogenics 150 wt mini fresnel focusing spotlights ( or Inky Dinks etc.). They were the cats meow for kickers!

Thanks again for sharing,
C Webb
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Old 08-03-2009   #68 (permalink)
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Default Re: Studio Portrait Lighting-A How To

What is the ligting ratio of the hair light and kicker light to the main light?
Thanks
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Old 3 Weeks Ago   #69 (permalink)
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Default Re: Studio Portrait Lighting-A How To

benji

my studio is set up in my basement and i only have 8 ft ceilings. i have the same size parabolic umbrella as you do but the low ceilings force me to feather a little and i have to keep my backdrop 7-8ft from the subject........any advise on this lighting pattern with low ceiling height. ive got my hair light mounted to the beam and im able to control it easily. ive been using x pattern lighting but i sure like this set up in your tutorial,,,,,,my concern is the low ceiling height
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Old 3 Weeks Ago   #70 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Quote:
Originally Posted by umphotography View Post
benji

my studio is set up in my basement and i only have 8 ft ceilings. i have the same size parabolic umbrella as you do but the low ceilings force me to feather a little and i have to keep my backdrop 7-8ft from the subject........any advise on this lighting pattern with low ceiling height. ive got my hair light mounted to the beam and im able to control it easily. ive been using x pattern lighting but i sure like this set up in your tutorial,,,,,,my concern is the low ceiling height
The "X" pattern will render flat lighting and underexposed shadows. By positioning the fill light close to the camera, the fill light will get into those shadows that the lens "sees" and brings them up to where they will have detail in them.

As far as 8 foot ceilings, don't stand anyone that is over about 6 feet tall on the floor (that you are planning on photographing) and it should not be a problem.

Benji
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Old 3 Weeks Ago   #71 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Appreciate the time and effort for you to put this together. Nicely done.
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Old 2 Weeks Ago   #72 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Great tutorial - thank you very much for taking the time to post all that info!
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Old 1 Week Ago   #73 (permalink)
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Default Re: Studio Portrait Lighting-A How To

This thread is 3 years now and still kicks Thanks Benji and to all contributors.
BTW, what would be the main difference (multiple light setup) when shooting a group of 4-5? should I put more light or more power?
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Old 1 Week Ago   #74 (permalink)
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Default Re: Studio Portrait Lighting-A How To

Quote:
Originally Posted by Dookie View Post
What is the ligting ratio of the hair light and kicker light to the main light?
Thanks
Hair light is metered the same as the fill light. Kicker is usually about 1/3rd of a stop LESS than the fill reading.

Quote:
Originally Posted by Daimos View Post
This thread is 3 years now and still kicks Thanks Benji and to all contributors.
BTW, what would be the main difference (multiple light setup) when shooting a group of 4-5? should I put more light or more power?
The lighting ratio should be about the same. You will need to power the main light up and feather it so everyone has nearly the same reading. I aim the main light at the subject farthest from it then take meter readings at each face. I continue moving the main light in or out and/or feather it toward or away from the subjects until I get a meter reading that is identical (or very near it) at each face. the light will be about 1/2 way in between the camera and the subjects.

Make sure that the main light is not casting a shadow on anyone's face/

Benji


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