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#1 |
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Bactrian
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I won't go on and on and on and on about how much I love neon. We're fast coming upon "neon season" -- carnies and fairs and such! Now that I have some very nice new glass, I might have a shot at some decent photos finally. I just want to make sure I have the appropriate camera settings for neon hunting. I won't carry my tripod with me, so that's out. Not sure if I'm posting this in the right section but hoping the NEON sign will help guide some tips my way.
Renata __________________
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__________________
If I knew what I was doing, I'd be doing it right now. Oly E-3, Oly E-30, little broken Oly E-510...Zuiko 50 mm...Zuiko 14-54mm...Zuiko 50-200mm...Zuiko 12-60mm...Rokinon 8mm fisheye...Rokinon 85mm...a little Topaz, a little NIK...FL-36R & Nissin Di466 flashes...Polaris light meter...Flashpoint II monolights, softbox, umbrella, beauty dish...assorted barndoors, snoots, gels and a variety of DIY photography "helpers" and gadgets all conspiring together to confuse and trick me. Renata |
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#2 |
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Camel Breath
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Not sure that you would shoot neon any differently than a normal light scene. if it is night time, and you want the neon to be the light, I think you have to meter towards it and set the camera up based on its light output, but probably adjust it by a stop or so...?
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#3 |
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Camel Breath
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The settings are going to be different depending on what ambient light you wish to cut or allow in. Dragging the shutter too much will cause the aura from the tubes and the reflection from the sign itself to be broad and fuzzy. I love neon signs, especially vintage and restored ones. In night pictures where I want the background dark and the color of the tubes to stand out, I start out at ISO 100 f8 and 120th then adjust the SS to taste.
Neon signs in carnivals and such really look good just after sundown with the sky adding color. Since you have no way to change the ratio of the neon:sky you're dependent on timing. Too early in the day and the background will overpower the neon, too late and you'll end up blurring the neon holding the shutter open to record the sky. There are many options for changing effects things like zooming with a slow shutter speed, adding a flash at the end of a long exposure, using an ND filter to knock out the background. Experimentation is, for me, part of the enjoyment since I don't shoot street scenes and lights for a living. Steve |
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Have you ever stopped to think and forgot to start again? Camel Equine Group My Equine Album Fireworks Album
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#4 | |
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Bactrian
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Quote:
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__________________
If I knew what I was doing, I'd be doing it right now. Oly E-3, Oly E-30, little broken Oly E-510...Zuiko 50 mm...Zuiko 14-54mm...Zuiko 50-200mm...Zuiko 12-60mm...Rokinon 8mm fisheye...Rokinon 85mm...a little Topaz, a little NIK...FL-36R & Nissin Di466 flashes...Polaris light meter...Flashpoint II monolights, softbox, umbrella, beauty dish...assorted barndoors, snoots, gels and a variety of DIY photography "helpers" and gadgets all conspiring together to confuse and trick me. Renata |
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#5 |
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Camel Breath
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Here are some neons and some fair pictures:
1. ![]() 2. ![]() 3. ![]() 4. ![]() 5. ![]() 6. ![]() 7. ![]() 8. ![]() 9. ![]() |
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__________________
Have you ever stopped to think and forgot to start again? Camel Equine Group My Equine Album Fireworks Album
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#6 |
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Bactrian
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Love the urban decay pic of the Underwood Motel. Irony in depleted neon. I ogled the rest of your pics. I guess I should have added "and other lights" to neon, since there's a lot more of the other lights at fairs and such. But there have been some nightime neon shots I missed because I didn't know how to take them. Not a vintage sign but I wished I'd have taken one of our "Coles Muffler" locations when they had so many letters out it just said "le Muff" -- sigh.
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__________________
If I knew what I was doing, I'd be doing it right now. Oly E-3, Oly E-30, little broken Oly E-510...Zuiko 50 mm...Zuiko 14-54mm...Zuiko 50-200mm...Zuiko 12-60mm...Rokinon 8mm fisheye...Rokinon 85mm...a little Topaz, a little NIK...FL-36R & Nissin Di466 flashes...Polaris light meter...Flashpoint II monolights, softbox, umbrella, beauty dish...assorted barndoors, snoots, gels and a variety of DIY photography "helpers" and gadgets all conspiring together to confuse and trick me. Renata |
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#7 |
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Camel Breath
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I love it when the "out" lights change the words. My son's and I used to play a traveling game to see who could find the best, funniest or most obscene neons. Remember "Bo Knows"? Our local Johnny Carino's restaurant currently says Johnny no's. Not as good as your Coles Muffler sign but I get the idea.
Steve |
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__________________
Have you ever stopped to think and forgot to start again? Camel Equine Group My Equine Album Fireworks Album
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#8 | |
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Bactrian
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Quote:
My dad and I used to play the same neon game (sans obscene, I was young) on our drives back home from Ruidoso to El Paso. Something melancholy thinking about that now -- listening to Patsy Cline on the AM while looking out the car window for crazy neon signs under a Texas starry night sky. __________________
Members don't see ads in threads. Register your free account today and become a member of PhotoCamel to open up the site's many benefits and features. |
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__________________
If I knew what I was doing, I'd be doing it right now. Oly E-3, Oly E-30, little broken Oly E-510...Zuiko 50 mm...Zuiko 14-54mm...Zuiko 50-200mm...Zuiko 12-60mm...Rokinon 8mm fisheye...Rokinon 85mm...a little Topaz, a little NIK...FL-36R & Nissin Di466 flashes...Polaris light meter...Flashpoint II monolights, softbox, umbrella, beauty dish...assorted barndoors, snoots, gels and a variety of DIY photography "helpers" and gadgets all conspiring together to confuse and trick me. Renata |
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