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#1 (permalink) |
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Vicuna
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Hello everyone,
I have a client that sends it printing to a print house that only gets the color right when I supply CMYK files. The conversion process and the hard drive space on a 1300+ shot shoot is a nightmare. Is anyone else bending over backwards for the printer in this way? It sounds strange that they are incapable of handeling s/a/prophoto/RGB files. If I am not alone on this one I'll keep doing it, but if I am alone on this one it's going to stop. -Jonathan __________________
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#2 (permalink) |
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Llama
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Part of the quote process with your client should be, who will be doing the prepress.
Unless the printer has a prepress area they likely don't want to touch doing the conversion... this is a step that can amke or break your images. If you are doing the prepress, you should be charging for it. Glenn |
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#4 (permalink) |
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Dromedary
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If you use Adobe RGB as your color space, almost no shifting occurs when the images are converted to CMYK, as Adobe RGB is a wide enough gamut to accommodate CMYK.. One of the ad agencies I work with don't even convert the images I deliver.
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#5 (permalink) |
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Llama
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The shift to CMYK shouldn't make much of a difference, but the conversion to an actual printer profile can be a massive shift.
If you are doing the prepress, you need to profile for their press ( sheet feed, web ) and then adjust your images accordingly. If the agency you work with doesn't convert, then someone further down the line is doing the prepress. __________________
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