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#1 (permalink) |
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Camel Breath
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C&C appreciated, please tell me what I did wrong plus what I did right.
There has been a small amount of brightening of their faces, using a levels layer. Thanks! ![]() __________________
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://www.rainlilyphotography.com/ http://www.rainlilyphotography.blogspot.com/ ~~~~~~~~~~~~~~~~~~~~~~~ My Favorite Song of the Week
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#2 (permalink) |
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Dromedary
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The people and their clothes look purple to me...
And, I'm sure you know the background is blown... I don't know much about posing, but I think it might be more balanced if the the girl was with dad and the boy with mom... Sorry, I can't make any suggestions about the lighting and white balance... |
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Any comments or critiques are always welcome ![]() Everyone except my mother calls me Al |
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#3 (permalink) |
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Llama
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You need to meter the ambient light first...then try to set the fill flash to that level or just higher if you want to take the background darker.
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Creative Images By Thomas Olson Olympus E-3 System Zuiko 12mm to 60mm f-2.8 Zuiko 50mm to 200mm f-2.8 Zuiko 8mm fisheye f3.5 Certified Professional Photographer |
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#4 (permalink) |
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Photocamel Master
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Looks like you used the flash for fill and didn't try overpowering the sun and using the flash as the main.
With all do respect to Al, the bg is bright, but I don't see it as blown on my monitor and I don't know that you can overpower the sun in a field like this with a small flash. SO that if you metered the ambient, you couldn't possibly set the flash high enough to make it brighter than the sunlit ambient with a small flash I always thought that choosing a darker bg to begin with makes it easier. Still, I like the shot. Happy expressions and I love the setting if it was darker. |
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-- Fran Honest critical comments always welcome. Quote of the Week: "Your first 10,000 photographs are your worst." |
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#6 (permalink) |
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Camel Breath
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Looks like the top third of the image is nearly blown, and you have bright patches of light hitting Mom and Dad directly. The image also appears to have really low contrast.
I think that if the sun had been directly behind them (to prevent the splotches on Mom and Dad) and underexposed a stop with flash to light up the family would have worked better. Hope that wasn't too harsh... |
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#7 (permalink) | |
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Dromedary
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Quote:
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Any comments or critiques are always welcome ![]() Everyone except my mother calls me Al |
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#8 (permalink) |
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Dromedary
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Yep, I get the purple too. Of course my monitor hasn't been recalibrated in about six weeks. Oops, purple on my laptop too, and it was just done a week ago. Yep, looks as if the "Barney Virus" has struck again.....
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Olympus E500, "Oly" Olympus E30, "Son of Oly" A puzzled look most of the time. Assorted old film gear. And my trusty 45 year old Weston light meter. Critiques and comments always welcome. |
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#9 (permalink) | |||||||
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Camel Breath
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Quote:
![]() I know Fran addressed it below but the background is bright on both my camera and my monitor, but not blown. I checked the histogram at the site and it seemed to be ok, and I did meter the ambient right there...of course I'm on a laptop and it may not be correct either LOL. As far as the purple, everything looks blue to me. Mom's jeans may have more of a tendency toward purple than anyone else, but still, I'm seeing blue. Again with the laptop. Tomorrow I'm hooking up a new monitor - I meant to this week, and just didn't have time - but I'll get it running and calibrate it and see what happens. Thanks so much for commenting! Quote:
Thanks for commenting, Thomas. ![]() Quote:
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If you don't mind, please clarify what you mean about low contrast. If you're talking about on the faces, I agree, and would have loved to have had an assistant that day to help me with off-camera flash or a reflector or something. If you meant something other than that, please tell me, because it seems as if the rest of the photo has decent contrast to me. I'd like to hear more detailed critique on that, if you will. ![]() Those patches of light, yeah, bummer. lol. I really wish I'd had someone there to hold a reflector for me, and would have tried it that way. Thanks for commenting, Steve ![]() Quote:
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I'm not seeing it, but that doesn't mean it ain't so! I'll investigate further on that, thanks Al and Frank for the heads up. I appreciate everyone's time and thoughts, thank you! ![]() |
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://www.rainlilyphotography.com/ http://www.rainlilyphotography.blogspot.com/ ~~~~~~~~~~~~~~~~~~~~~~~ My Favorite Song of the Week
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#10 (permalink) |
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Alpaca
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very nice shot, i have been going through the same issues balancing ambient with flash, seems i had it backwards, i was stopping down the flash rather than opening it up, which opening it up really makes more sense, ive only been on this site for a couple of days and am really enjoying all the great advice and honest critiques that ive seen and been given, again very nice family portrait.
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#11 (permalink) | |
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Camel Breath
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Quote:
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#12 (permalink) |
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Dromedary
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Sis.
I'm on my laptop and the blues look purple to me also. The background does look very bright to me. When I just look at the photo, my eye goes to the bright background between the two kids before it sees the family. Nice looking family. |
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#13 (permalink) |
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Photocamel Master
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First thing I would do in this situation is lower the exposure on the background by at least 2/3 of a stop. Next I would fill flash...but you would probably need to fill with +1 or more.
A very, very tricky situation. Jason Cole does these kinds of shots all the time but he takes out powerful studio lights to illuminate the subjects. By underexposing the background a tad you will bring in some very rich colors. Then by adding the flash you will bring your subject up to or beyond what you metered the background for, depending on how powerful your flash is. |
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#14 (permalink) | |||
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Camel Breath
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Quote:
![]() Thanks, Steve, point taken and appreciated. Thanks for coming back and clarifying. ![]() Quote:
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#15 (permalink) |
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Photocamel Master
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If you are just using regular flash and not high speed sync, you are limited to a shutter speed of 1/250 or 1/200 on a Canon (I think 1/500 on a Nikon, but I may be wrong).
So your shutter speed is going to dictate your aperture. First, I would use the lowest ISO possible. With your camera, I believe it will be ISO 100. Next, knowing that ISO 100 and f/16 and Shutter speed of 100 will give me a good exposure, I am going to think about increasing the shutter speed. This gives me a shutter speed of 1/250. Increasing the shutter speed allows me to change the aperture. Since I have gained one stop of play with the aperture, I am going to use f/11. So ISO 100, f/11, Tv at 250 will give me a fairly well exposed image, theoretically...on the background. Now you have the couple facing with the sun coming in from Camera left. If the sun on the Wheat meters around f.11 so is the sun coming in on their faces. I am just going to think out loud for a minute.... Shutter controls ambient light Aperture controls flash (and affects shutter for ambient) So If you do shoot this at ISO 100 f.16 Tv 100 and increase the Tv to say 175 you would be underexposing the background by a tad. You could then shoot your flash at f/16 for fill. I would have to try it to understand it more completely. The thing that has me bamboozled is the sidelight of sun hitting their faces. Jason Cole usually also has his subjects sitting in the shade. But not always. I have to have a flash that will output then, at f/11 or f/16 depending on how I chose to shoot this. |
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"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep." ~ Scott Adams ~ I am NOW in the 21st Century! Click to find out why! "Opportunity knocks in vain if you don't reach out and open the door." K.C. Lyle |
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#16 (permalink) |
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Photocamel Master
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Nikon is 1/250 max shutter sync as well.
Good 'splaining Kelly thanks. WIth natural light we all like to play with narrow DOF. With outside strobes, is there too much ambient to shoot at 4.0 or 2.8/ Is that what all the algebra is saying? |
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-- Fran Honest critical comments always welcome. Quote of the Week: "Your first 10,000 photographs are your worst." |
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#17 (permalink) |
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Camel Breath
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It is great info and I'll be happy to see the answer to Fran's question too.
And just fyi, my 5D can get to 50 ISO, Kel. That might make a difference in your calculations. |
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__________________
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://www.rainlilyphotography.com/ http://www.rainlilyphotography.blogspot.com/ ~~~~~~~~~~~~~~~~~~~~~~~ My Favorite Song of the Week
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#19 (permalink) |
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Camel Breath
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__________________
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://www.rainlilyphotography.com/ http://www.rainlilyphotography.blogspot.com/ ~~~~~~~~~~~~~~~~~~~~~~~ My Favorite Song of the Week
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#20 (permalink) | |
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Photocamel Master
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Quote:
Ah Sis...I didn't realize you had the 5D! Shame on me! I was wondering exactly how you did this, because the shot to me looked more like a 5.6 than an 8.0... So yes...since we all love to shoot and get that wonderful shallow DOF we are challenged to something new. IF I have the luxury of ISO 50 that helps. Let's take a look at our sunny 16 rule again. f/16 ISO 100 TV 1/100. ISO 50 allows me one stop to play with. f/11, ISO 50, Tv 1/100. I can't get anymore play out of my ISO to help with my aperture, so I have to go to my shutter to begin opening my aperture. f/8, ISO 50, TV 1/200 f/5.6, ISO 50, TV 1/500 f/4.0, ISO 50, Tv 1/1000 You would need to have your camera on HIGH SPEED SYNC in order to use your flash and get the desired DOF. TriCoast Photography uses 4.0, 3.5, and 2.8 all the time in their photography using HIGH SPEED SYNC. As long as your flash is on your camera, ETTL will come to your aid. They also use off camera flash AND ETTL. Problem is, you have to have a mechanism to control the ETTL and High Speed Sync. Without the mechanism your are stuck with a Tv of 200 (on the 5D). www.radiopopppers.com provide just the product. I saw Mike and Cody when I was in Texas and the demonstrated how they use the Radio Poppers, Canon Flash, ETTL and High Speed Sync to get the thin DOF in bright sunlight on beaches etc. On camera...use HIGH SPEED SYNC Off camera...you are limited to a slower shutter speed unless you can afford the devices that allow for high speed sync . __________________
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"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep." ~ Scott Adams ~ I am NOW in the 21st Century! Click to find out why! "Opportunity knocks in vain if you don't reach out and open the door." K.C. Lyle |
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