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#1 (permalink) |
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Alpaca
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Just was thinking about something that always puzzled me. A lot of times when traveling you go to museums or in caves historical houses the guides always say you can take photos but you can not use a flash. when I ask why they say the flash is hard on the curtains, fabrics or in a cave it harms the rocks ect. But when touring them they are lit up with spot lights.
So does the flash from a camera really hurt or is it just a myth because that don't want you to take photos? __________________
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#2 (permalink) |
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Dromedary
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it's true allright, but what is really puzzling is when they don't allow tripods either. Apparently it blocks people from moving.. I realise that, but as I frequent museums quite often, there really is not that many people to get blocked anyway.. Well, nothing a hundred dollar bill would not fix (I took pictures in egypt in tutankhamuns tomb with a tripod and it cost me 60 bucks..)..
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#3 (permalink) | |
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Photocamel Master
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Lori Make it a great day! "Try not...do or do not...there is no try."![]() Yoda “Be who you are and say what you feel because those who mind don't matter and those who matter don't mind.” - Dr. Seuss ![]() |
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#5 (permalink) | |
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F1 Camel
Location: Baku, Azerbaijan - Hanging out in the UAE
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-mcbit 'Twelve significant photographs in any one year is a good crop.' Ansell Adams www.pbase.com/mcbit |
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#7 (permalink) |
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Dromedary
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1 reason is the $$$
Why let you take a good picture, when at the end is a gift shop with post cards and photos for you to buy. This is more the case with today where anyone can get great shots from a point and shoot pictures that only pros with lots of good equipment could shoot. And damn.....Wish I thought of doing that when I was in Egypt. I got yelled at for using a flash in the museum in Cairo (though it wasnt me. My flash was in the bag). Still got some nice pics doing hand held |
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#8 (permalink) | ||
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Vicuna
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#9 (permalink) |
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Guanaco
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Money and bribery are fun terms to bandy about but there are real scientific and archival reasons for prohibiting the use of electronic flash in museums.
Here in my city, we have the Canadian National Archives and the National Gallery of Canada along with many other museums which house valuable artifacts and art pieces. Most curators and archivists agree that ultra violet light is the arch enemy of paintings of various types, certain textiles and objects made of a vast range of materials and substances. Since museums displays and art, by their very nature, are for very long term public display, experts are of the opinion that cumulatively speaking over the long term, intermittent but ongoing exposure to sources of UV light will in time cause harm, fading and deterioration to theses artifacts and works of art. Electronic flash is very high in UV content. The display light is many museums are high end quartz lamps with in fixtures having heat absorbent and UV absorbing glass. Theses lights offer both IR and UV protection. When visiting hours are over, all the display lighting is turned off. For many years, I have done art reproduction on large format transparencies for Museums Canada and private galleries. I do use electronic flash but use special UV absorbent Plexiglas that is sued for agricultural purposes. The curators are not particularly worried about my blasting theses artifacts with 2400 w/s units when new acquisitions come into the various museums- that one big blast and it's all over. The are concerned about exposure to UV light over decades and even hundreds of years. It is also interesting to realize that very old paintings and other artifacts are made with paints and dyes having organic pigments very unlike the metallic dyes and pigments that we have nowadays. Color sources such as berry juice, green leaves and other naturally occurring substances are very susceptible to damages by UV light, heat, certain gases and even air pollution. Even of I could bribe someone to allow me to do flash photography of certain objects, I would not consider do so. I have enjoyed seeing many great masterpieces and interesting artifacts in museums and I would like my great grandchildren to have the same enjoyment of seeing all of theses wonderful things in good viewable condition. When I photograph theses kinds of articles for reproduction on books and the making or prints and posters, I feel good because reproduction enable more people to study and learn about the old masters and history in general. I also feel good that we are using every possible precaution in protecting what we are photographing. Tripod usage is sometimes related to fire and safety regulations. If I want to make photographs in museums or galleries for my own use, I simple make all the arrangements well in advance and usually secure permission to come in at off hours and do my work. Ed ![]() |
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Ed Shapiro - Master Photographer The Hintonburg Studio 201 78 Hinton Avenue North Ottawa, Ontario - Canada K1Y 0Z8 613-792-4837 edshapiro@rogers.com |
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#11 (permalink) |
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Vicuna
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Flash does actually hurt artwork, and those other things you see in a museum. Our flashes on our lights are calibrated to the same temperature as the sun... Sun fades paint like it fades prints... and while you may not think of one flash causing harm... flashes by hundreds/thousands of guests daily will cause harm... I would like to post more on the subject, but I ran out of time right now... I'll try and get back later.
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#13 (permalink) |
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Llama
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Long time ago at EXPO 86 (I think it was) In the French Pavilion they had one those super expensive paintings by I forget who.
The case had a very well protected glass cage and if I recall the glass was thick and it may even have been dual layer with something in between to protect the painting behind it. Also it was dimly light in the area as well. |
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Eero Makela Photographies des femmes pour les hommes. ========== To see the light you have to understand the light, but to understand the light you have to see the light. |
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#15 (permalink) | |
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F1 Camel
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".......or as a disturbance to the act of contemplation......" gets my vote too! ![]() |
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__________________
-mcbit 'Twelve significant photographs in any one year is a good crop.' Ansell Adams www.pbase.com/mcbit |
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#16 (permalink) |
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Vicuna
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That's fascinating dave, thanks for the article.
Here's another take - very fascinating: http://www.cbc.ca/quirks/archives/02.../qq141202e.mp3 (linked from: CBC Radio | Quirks & Quarks | December 14, 2002) and slightly more up to date information. |
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