Question on painting props

[mjp321]

In the past, when painting a prop (like an old chair) white, I'd use a flat white paint, figuring that a glossy white (or any other "glossy" color) would be too reflective. What do others use when painting or repainting props? Do you always use a "flat" paint, or might a semi-glossy paint add a little bit of sheen/lustre without it being too reflective under studio lights? Anyone have some experience with this?

[Ed Shapiro]

Good Question!

It depends on the effect that you are looking for. Flat white paint has little or no specular reflective properties which solve the problem of distracting reflections, however, there are times, in some cases, where props that are painted this way can look rather artificial. A pure chalky white chair in a modern high key approach might look compatible with the style, however in a genre type of portrait, where an old fashioned effect is required, a different kind of paint job is
called for. A semi-gloss or luster paint with more of a warm tint may be more realistic and compatible with the subject. There are even paints with crackle finishes which impart an aged look on wooden surfaces. Another method is to spray the item with a high quality high gloss lacquer. After through drying, the surface is polished with a mixture of pumice powder and water- a very clean semi-matte finish will result.

I hope this helps. Ed

[mjp321]

Thanks, Ed! This is the type of thing I was looking for. Just trying to glean a little knowledge from photographers like you, who have learned how to deal with these little details through their own experience and/or experimentation. Thanks again!!

Mike