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#1 (permalink) |
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Vicuna
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We need a quality digital video camera. I know nothing about these things, but I do know that as a DSLR user, I'm pretty picky about quality. Which models are good? What should I look for? Budget would be about $2,000.
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#2 (permalink) |
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Dromedary
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If that's your budget, I'd say that JimmyD is most likely going to give you the best hands-on experience feedback.
Off the top of my (outdated education) head, I'd say that you're looking at the Canon XL or GL 1 series, or the Panasonic AG100 (I think it is) series. Our video shooter uses a Panasonic and really likes it... |
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Jon Scott Visual |
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#3 (permalink) |
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Camel Breath
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I think one of the most critical "features" that a video camera must have is the ability to shoot well in low light situations. Many of the situations that you'll want to shoot in are "low light" to a camera. The Sony cameras excel in this area, and I'd look there first. Look at a PD170 if you're shooting in standard definition. This is a very portable camera but of professional quality. It is NOT a pocketable camera, however. Perhaps someone else can suggest something smaller.
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#4 (permalink) |
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F1 Camel
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We have a Sony DCR-TRV9 (circa 1998 or so) and a slightly newer one also by Sony that's quite a bit smaller. Personally, I'd look elsewhere, as the controls on most of the consumer DV cams really, really suck. According to my dad, who follows this kind of stuff, Panasonic's the current leader in best value for money, but he hasn't seen the need to upgrade ours yet.
My choice would probably be the Canon GL series, as I tried out the GL2 my friend Jenny had with her, and it was pretty awesome. The XL series is more expensive, but has interchangeable lenses (can take Canon L glass, I believe) and has a RRS plate made specifically for it. |
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-Michael |
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#5 (permalink) |
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senses working overtime
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I know very little of other video cameras, but the one I've had for the last 5 years or so has been brilliant - a Panasonic MX300 with 3 CDD. Original price was around £1500 ($2500 +-). However, if I were to buy one now I'd probably be looking at the HD hard disk models rather than the DV tape one that I have. I'd also be looking at true 16:9 rather than the 4:3.
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#6 (permalink) | |
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Camel Breath
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Quote:
I looked into the Canon XL line, but then you're also looking at lenses, and, well, you know the story: the sky is the limit on spending. |
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#7 (permalink) |
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F1 Camel
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Guess I should have tried it out longer, LOL. It seemed to hold up okay, but we weren't doing much with it either. Guess when your own camcorders are plastic fantastic Sonys (one of which likes to spit out parts needed to load the DV tape properly- they went back just fine, but I don't trust the thing anymore), anything else feels pretty good. LOL
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-Michael |
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#8 (permalink) |
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Llama
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We have a Sony VX-2100 at school (I work for a university) which lists for $2299 at B&H. Like Blinky said, the lowlight capabilities are amazing in the Sonys. I've used it under regular house lights and it looks like I shot in a studio. It is an amazing camera. It used MiniDV, which is probably what you want to use for the best quality, IMHO.
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#9 (permalink) |
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Lubbock, Tx.
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Can't comment on the GL-2 but we use the Canon GL-1 in the video production studio almost daily.
Very well built, extremely cost effective, outstanding low light focusing, superior image quality, readily available MiniDV tapes, Firewire connection, (which should be a necessity these days). Dowside....they don't make 'em anymore. We did buy two backup units on eBay for about $1,000 each. We shot a local swim meet at Texas Tech under contract for Sports Illustrated a few years ago. I was surprised to find the GL-1 on the list of format camera footage they accepted. |
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M. Photog. Cr. Certified Professional Photographer F-TPPA, F-SPPPA |
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#10 (permalink) |
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Dromedary
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I bought the panasonic 280 for the low light shots and it works like a charm, it's a cheap 3CCD cam and it really shows.
I had a Sony before this but it was 8 years old ![]() Next year I will switch to the HD cameras. __________________
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