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#1 (permalink) |
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Guanaco
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Hello,
I'm asking for some feedback from people who have used both, because if you simply compare the stats, those 2 cameras are nearly twins. The only notable differences are the 3 to 5 fps (and of course bigger buffer), and timelapse photography. But that's on paper (on computer screen). Now I know that the D200 is more rugged, but how much of a difference is there between both cameras? I'm asking because I wanna wait for the hypothetical D90 to show up before getting a D300. For my needs, if the D90 is as close to the D300 as the D80 is to the D200, I'll put that hundreds of dollars difference on lenses. Yet there must be more to the D200 that can't be listed. What is it? Thanks Loa __________________
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#2 (permalink) | |
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F1 Camel
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Coming from a D70, the D80 might actually be better as the interface is closer to your D70. The 1,005-pixel matrix meter in the D200 is theoretically more accurate given the added hardware; in practice the D80 shows this to be essentially true; it meters hotter and less accurate than the D200, but this is not merely due to the reduction to a 420-pixel matrix meter. The D80 also weighs the area under the focus point significantly more than other cameras, which complicates things a little. Can we really blame the meter when the firmware is doing its own thing too? 1/250" flash sync vs. 1/200". Even 1/3 stop of extra ambient light control is better than not having it. Advantages to the D80: Size, weight, JPEG output at high ISO, price Advantages to the D200: 50 ms shutter lag (vs 80 ms), more AF options, 1/250" flash sync, 1/8000" top shutter speed (hey, you never know...) mirror up, 1,005-pixel matrix meter, construction, hard buttons and switches for pretty much every setting you need to change while shooting. For reference, your D70/S has a 106 ms shutter lag. Moving to a D80 you lose the 1,005-pixel matrix meter, 1/8000" top shutter speed, and 1/500" flash sync, though by trading the 1/500" flash sync you get rid of the blooming problem the D70 was prone to. |
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__________________
-Michael |
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#3 (permalink) |
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Guanaco
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Hello Michael,
Thanks again for replying to one of my questions! Going from the biggest Coolpix (in its day) to my current D70 2 years ago, I fully understand the menu -> button difference. And now you're saying that stepping up from a Dxx to a Dxxx would be similar? That's interesting. I'm not interested in buying a D80 or D200, but I'm expecting (I could be wrong) the relationship between the D90 and D300 to be similar. The AF options and hard buttons are 2 tempting features that I now "guess" that the D300 will have over the D90. I don't want to start a debate on speculation, but I'm trying to see things as clearly as possible. Do I get a D300 now, or wait for 2+ months just to see what the D90 looks like? I was planning on waiting for the D90, but buttons and possible AF options (which I love on the D300) are making me think again. Then again, if the price difference is enough so that I can get a D90 + Tamron 28-75 for the price of the D300... Argh! :-D Thanks Loa |
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#4 (permalink) | |||
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F1 Camel
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Of course, if you were trying to make money off your photos my advice would change to "Your question should be 'how many D300's should I buy now?'" =) |
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__________________
-Michael |
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#5 (permalink) | |
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Guanaco
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Thanks, I'll keep thinking about it some more! Loa |
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#6 (permalink) |
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Bactrian
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For what it's worth: The D200 at B&H is $999.95 I figure they are on the edge of discontinuing it. I bought one instead of a used D2Xs because of the new warranty (also got an extended service plan). I'm happy with the decision. I'll be happier when the battery base gets here (It'll fell and act just that much more like the big brother). The price is right for a camera with the ease of use. It was about $1,700 a year ago.
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__________________
Have you ever stopped to think and forgot to start again? |
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#8 (permalink) | |
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Bactrian
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I took a hard look at my requirements and my budget. Remember in the beginning I was not looking at a FX sensor camera; I was saving for a used D2Xs at @ $2,500. Here's a mini-D2X for $1000 and the battery base for another $135 and an additional 2 years of warranty with three annual cleanings included for another $145. I'm off to the races with new gear and new warranties at just about half the expense of the used camera. Is the D200 capible of producing the kind of images I need? Yes. Will the D300 make an equivelent photo noticibly better? No. Are the added features at the additional price valuable to my bottom line? No. The D3 and the D300 both are without question remarkable performers at high ISO. I don't have a need for extreme ISO shooting. Its about spending money to make money. How little can I spend to generate an income? This is the question I'm asking, rather than How much longer must I wait and how much more must I spend to generate the same level of income? Oh that $500 difference in the price of the D300 v.s. D200 is about 50% of the price of the lens I want to buy. I hope that explains it. Regards, Steve |
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__________________
Have you ever stopped to think and forgot to start again? |
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#9 (permalink) |
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Guanaco
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Hello Steve,
Thanks for your take on the D200 and D300 debate. The high ISO is indeed a defining difference between the 2 bodies. But from what I've read the EXPEED processor (especially the improved and more integrated meter), improved AF, and much better LCD are also significant differences (and a host of smaller details: self-cleaning, 100% viewfinder, improved battery life, improved fps, bigger buffer, 14bits, etc...). I'm not earning any money with photography (yet), but for me that 500$ difference is worth it. I decided to go for the D300 and Tamron 28-75 instead of a D200 or D90 with Nikon's 24-70. In the end, the improved quality of Nikon's 24-70 didn't justify it's price tag. But, then again, to each his own! ![]() Loa |
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#10 (permalink) | |
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Bactrian
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You are right: To each, his own. Regards Steve |
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__________________
Have you ever stopped to think and forgot to start again? |
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#11 (permalink) | |
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F1 Camel
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__________________
-Michael |
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#12 (permalink) |
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Llama
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I have the D2X modes programmed as well and use them once in awhile. I do however use Ken Rockwell's vivid profile more with outdoor shots.
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__________________
Eero Makela Photographies des femmes pour les hommes. ========== To see the light you have to understand the light, but to understand the light you have to see the light. |
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#13 (permalink) | ||
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Guanaco
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For me, paying more than 3 times as much for the Nikon lens without even VR as a bonus... Didn't make sense. With VR, I may have been tempted, looking at it from the angle of long term investment. But in a sense I get to keep about 1200$ in my pocket and get a lens that should be close enough. Quote:
(Or, at the very least, that's what a Nikon rep showed at a conference last year. He showed side by side photographies of the same scene with a D200 and D300. The differences in color accuracy, exposure and TTL flash performance were amazing! Of course if you're going at it all manual, a D200 will be just as good. Then again, so would a D80 or D90!) Anyway. I'm waiting for a very good deal on a D300 (if only I lived in the US I'd buy Julio's!), or a confirmation that some sort of D300s won't show up at Photokina, witchever comes first! Thanks for the input! Loa |
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#14 (permalink) | |
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F1 Camel
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Picture Controls aren't just color modes. They control every aspect of your JPEGs, which is also affected by the EXPEED engine. The D2X modes offer different starting points that mimic the pre-EXPEED output, which cannot be reached by tweaking the included Picture Styles.
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Exposure accuracy comes with a caveat; overall I'd give the advantage to the D300, but some of the differences in images can be attributed to the different default response curve applied to D300, not better exposure. Midtones are, by default, set to a punchier value than on previous cameras, which results in a brighter image at the expensive of dynamic range. Turn down the "brightness/gamma" setting and the D300 images will pretty much match the look of older cameras. Overall, the D300 handles tough scenes better with the matrix meter, but the D200 was pretty consistent in its underexposure too, which made it easily correctable. Focusing speed and accuracy goes to the D300 in a landslide. TTL flash is better with the D300, but I've found the difference negligible. |
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__________________
-Michael |
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