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#21 (permalink) |
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Guanaco
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cannockwolf and g-man, to both of you, very, very nice camera work. While the excellent glass is a major contributor tot he image quality, you guys obviously had the right mix of everything going on.
I (and perhpas others) would appreciate knowing what body you are using and more importantly the camera and lens settings (e.g., ISO, f-stop, shutterspeed, etc.). Shooting such difficult subjects in equally difficult settings (e.g., mud, lighting, etc.) takes the right combination skill and equipment to achieve such success. Seeing such great (superbly executed/exposed) shots of very difficult targets (stage bands and motorsport events) having a bit more information would make us all better the next time we go out and try shooting subjects like this. Thanks so much for sharing. Jeff __________________
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#24 (permalink) |
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Vicuna
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Jeff,
I was using a D2H for all of the images I posted. ISO 200. The MX was wide open @ f/2.8 in aperture priority mode, continuous focus mode (single point). The vintage racing was shutter priority mode, continuous focus mode (single point). The first shot (yellow car) was 1/80 sec at f/16 and the second was 1/125 sec at f/11. The EXIF is intact in all of the shots. I picked up a D300 and grip last November and plan to use it at the track this summer (moving the D2H down to backup/2nd camera duty). I've put the D300 through it's paces this spring shooting lacrosse (though not with the 70-200 VR). |
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#26 (permalink) | |
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Vicuna
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Quote:
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#28 (permalink) |
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Alpaca
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70-200 VR is a very good lens (of course not cheap)
here are some photos taken by the lens, you can download the original size to review the lens's quality. Flickr Search Engine : Flickr original size search engine. |
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#34 (permalink) |
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F1 Camel
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I love the 70-200 VR... great lens.
It's one of the major staples in every professional photographer's bag. There's no question about it. With the newer version having been introduced, It's probably going to be something I'll end up getting at some point, but the performance of the current 70-200 VR is just fine. If I were to get the higher megapixel body, I suspect more weaknesses would be visible with the current 70-200 VR lens, but for now I'm pleased with it and the results I am getting with it. Here are a few with the D3 and the 70-200 from some events I've photographed. By the way, the D3 is an exceptional camera. I can't see a need to upgrade for a while from the D3 for what I do. All images © 2004-2009 Julio Santana Julio |
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__________________
I predict future happiness for Americans, if they can prevent the government from wasting the labors of the people under the pretense of 'taking care' of them. - Thomas Jefferson |
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#36 (permalink) |
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Vicuna
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Just to reiterate that this lens is about the best of the zoom bunch - better than the 24/70, better than my 200/400, in fact better than any other zoom I have. This was a quick shot, not in the class of the others here, but I still like the way it focused so quickly to catch the moment.
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#37 (permalink) | |
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F1 Camel
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Quote:
After the price increases, it seems the 200-400 went up but the 300 f/2.8 stayed very close to where it was or didn't go up as much as others. The 300 f/2.8 VR is a gem. The 70-200 VR is also another top of the class lens. The 200 f/2 is as well. What we're seeing now is with higher megapixel bodies, the older glass is showing chinks in the armor in some cases. Julio |
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__________________
I predict future happiness for Americans, if they can prevent the government from wasting the labors of the people under the pretense of 'taking care' of them. - Thomas Jefferson |
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#39 (permalink) |
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Alpaca
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Not sure how this happened, but this guy came across the pitch grimacing and we thought he was going to fall off his horse. The location of his right hand gave me some indication as to what part of his anatomy was the source of his pain. He was back in the match a short time later.
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#40 (permalink) | |
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F1 Camel
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Quote:
__________________
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__________________
Have you ever stopped to think and forgot to start again? |
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