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#1 (permalink) |
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F1 Camel
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Fuji S2/S3/S5 Pro Kenko MC7 2X, Pro 300 Nkkor 50 1.8 70-300VR Phoenix 100, 650-1300& Sima 100mm F2 SF Sigma 12-24, 18-50 HSM, 18-125, 50-500, 70-300, 120-300, 1.4X 2x Tamron 28-75 |
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#2 (permalink) |
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Llama
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Hey that's not a bad camera, at ISO 6 for long exposures…I didn't even know digital cameras ever had ISO 6, could be pretty crazy for long exposures in winter, but I'd sure do it!
Actually I'd get some long-expired ISO 6 film. |
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My Smugmug Page - http://xxloverxx.smugmug.com |
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#3 (permalink) |
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F1 Camel
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if kodak had stayed in the game, it sure would be different by now.
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__________________
Fuji S2/S3/S5 Pro Kenko MC7 2X, Pro 300 Nkkor 50 1.8 70-300VR Phoenix 100, 650-1300& Sima 100mm F2 SF Sigma 12-24, 18-50 HSM, 18-125, 50-500, 70-300, 120-300, 1.4X 2x Tamron 28-75 |
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#4 (permalink) |
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Llama
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Might've been for the better too if they'd continued making super-low ISO sensors. Landscape photographers would definitely appreciate it.
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My Smugmug Page - http://xxloverxx.smugmug.com |
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#5 (permalink) |
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F1 Camel
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what is lost on most people is the film makers know color, not sensor makers
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__________________
Fuji S2/S3/S5 Pro Kenko MC7 2X, Pro 300 Nkkor 50 1.8 70-300VR Phoenix 100, 650-1300& Sima 100mm F2 SF Sigma 12-24, 18-50 HSM, 18-125, 50-500, 70-300, 120-300, 1.4X 2x Tamron 28-75 |
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#6 (permalink) |
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Llama
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I suppose in that case we all need to go with Hasselblad and Leica then, since Kodak makes Leica's sensors and I believe Fuji makes Hasselblad sensors
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