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#11 |
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Alpaca
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For me, shooting JPEG only would be sort of a "One Size Fits All" approach to processing. For example; the camera doesn't know or care what size(s) you will be printing (which should affect your sharpening settings). Ever tried to de-sharpen and image? Ever resampled a heavily sharpened image?
Oly does great WB, the best! but raw is still better yet. the WB issue alone would sell me on RAW. If you like to work with curves and levels, you can't do much on an 8 bit JPEG before you get banding, RAW gives much more latitude. We all use the term "POST-processing" but for me it's all one process with different parts based on the objective. I will process an image one way if the purpose is documentation and very differently if the purpose is to invoke a certain mood or feeling. JPEG is certainly more convenient, if you are just into the shooting part, after the shutter is pressed, that's it. So it seems to me David __________________
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#12 | |
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Guanaco
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It also could be true that some of these technical issues pale in comparison to things like whether you actually shot something that people might find of interest. A popular photo magazine gave an award recently to a blurry photo of seagulls presumably because they liked the moment that had been captured and the overall feel of the piece (but they got blasted by readers who wanted something in focus). At some point I think photography crosses a line over into art where anything goes and it's just whether someone likes it enough to buy it (or give it a prize or whatever). |
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__________________
Oregon, USA<br />Even a blind squirrel occasionally finds a nut. |
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#13 |
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Vicuna
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Pretty much RAW only for most of the reasons posted above. I have considered going with JPEG more and may venture into that realm to save some post processing time.
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__________________
Jeff<br />Oly E300<br />14-45, 40-150, HLD-3<br />4/3 adapter, OM 50mm 1.8 |
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#15 |
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Vicuna
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Pretty much RAW only for most of the reasons posted above. *I have considered going with JPEG more and may venture into that realm to save some post processing time.
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__________________
Jeff<br />Oly E300<br />14-45, 40-150, HLD-3<br />4/3 adapter, OM 50mm 1.8 |
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#16 | |
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Guanaco
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We work on a racing web site where the team photographer shoots jpeg because he has to quickly get through a lot of pics and then provide them asap to use for use on the web site. I've read about folks who get into a rhythm with RAW but for me playing with all those different sliders just starts to chew up a lot of time and sometimes it's hard to know when to stop (and sometimes it's hard to see the difference for certain things as well). In some ways I'd almost rather shoot jpeg with WB and/or exposure bracketing (or both) and then just choose one and maybe apply a bit of shadow/highlight filter and USM and be done with it. That said I did spend an entire weekend playing with raw converters recently (I decided that for my e-300 .orfs I liked Master for the colors and Adobe Camera Raw for speed and highlight recovery). |
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__________________
Oregon, USA<br />Even a blind squirrel occasionally finds a nut. |
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#17 | |
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Guanaco
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__________________
Oregon, USA<br />Even a blind squirrel occasionally finds a nut. |
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#18 |
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Vicuna
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The RAW workflow doesn't take that much longer. I don't tweek every button and slider. The thing is, it's there if I need it. Also RAW can be quicker in some circumstances - if your setup has stayed the same you work on one image and apply the settings to all. It is a learning curve but once you've got used to it it comes naturally
Cheers |
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Mark Thomas www.markthomas.co.za "Judge art not by what others say, but how it makes you feel" |
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#19 | |
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Vicuna
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What are the in camera settings you use for your JPEG shots? |
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__________________
Jeff<br />Oly E300<br />14-45, 40-150, HLD-3<br />4/3 adapter, OM 50mm 1.8 |
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#20 | |
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Vicuna
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__________________
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