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#21 | |
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Vicuna
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Quote:
RAW files are actually very simple to work with and there will always be someone that will be able to write a software program to convert a RAW (NEF... whatever flavor) into the file format that will work with your software. And software manufacturers are going to maintain backwards compatability... it is in their best interest.I would hope that I did not come across as a "forum stalker's loud prophecies of doom." My point is that the raw file that you get from the camera should be your master and that if you rely on a post processed image saved as a TIFF an compressed, there is more risk in that than just archiving the original RAW which is smaller than TIFFs... then you ALWAYS have your original image to work with if you need to... Of course if you are using software that is not like Lightroom you may have to save intermediate files if you like the PP done to that point. Then you may opt for the compressed TIFFs, but if something happened to the TIFF, you would still have the RAW saved off somewhere. __________________
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#22 |
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Camel Breath
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If you've finished the processing, you might as well just save as jpeg. You'll still have your RAW file if you need/want to re-process.
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#23 |
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F1 Camel
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Or tiff.
You can get terrabyte drives really cheap. I remember when Terrabyte drives were like super high tech and decades away for us regular folks. And that was only 8 or 9 years ago when I was happy with my 6.8gb hard drive. ![]() |
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http://www.facebook.com/pages/Lofty-...y/300343741700 My facebook photography page |
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#24 |
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Camel Breath
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I remember using a disk compressor to try to get 40MB out of my 20MB drive at work. Still no need to waste space.
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#25 |
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F1 Camel
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I tried that. But after I compressed the disk, it no longer fit in the drive. It also didnt spin well when it looked like /\/\/\/\/\
Remember those drives that took like fat floppy discs... I cant remember what they were called. But they were the smaller version of Jazz drives. The discs were like $5 a pop and held like 10mb. Then dvd drives came out and you could do 700mb on a 20 cent disc. ![]() |
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__________________
http://www.facebook.com/pages/Lofty-...y/300343741700 My facebook photography page |
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#26 |
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Former Camel
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Terabyte! Only one 'R'!
1 terabyte (TB) = 1,000,000,000,000 bytes = 1,000 Gigabytes = 1,000,000 (1 million) Megabytes. It's got nothing to do with the Latin word 'Terra', which means 'Earth'. Wikipedia: http://en.wikipedia.org/wiki/Terabyte, and http://en.wikipedia.org/wiki/Terra. |
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#27 | |
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Guanaco
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Quote:
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__________________
Regard Paul Keep on snapping and catch the moment if you can. http://www.pbase.com/paulsilkphotography/ |
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#28 |
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Former Camel
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If "Adobe ever went belly up" that would be a guarantee that DNG disappears first, and fast!, because it is a lock-in format, dependent on Adobe software (not supported after a belly-up!) to be able to handle it, whereas TIFF is universal, thus not dependent on any one particular software-maker.
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#29 |
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Camel Breath
Location: Here...in the middle...of imagination
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I always saved as tiff. My lab said that they did a test for over 2 years opening jpeg files. They opened these files and saved them for that amount of time and found NO deterioration in the jpeg files.
I now save the raw files SOOC on a disc, but also save and work on jpeg files. They are smaller and more compact. As long as you save them as the highest quality, I have no problems. I have been dealing with this lab for 8+ years and I trust them. What they say in this instance I have tried and it seems to be true for me as well. Hope this helps. |
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__________________
Lori Make it a great day! “Be who you are and say what you feel because those who mind don't matter and those who matter don't mind.” - Dr. Seuss
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#31 | |
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Guanaco
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Quote:
I was actually quite surprised by the results. The first Image I did survived fairly well, even up to 600 times. There was noticeable color bleeding and loss of detail, but it wasn't *that* bad. Next, I ran a picture that featured a deep, saturated blue sky and it went to hell within 10 saves, even on 100% quality. I think the difference is that jpeg compression is harsher on blues (we apparently notice blue noise less than green or red). Just a guess though. It was also a smaller images, which might have contributed. Most images came through a few saves well enough. I personally wouldn't archive images in jpeg, if given the choice (especially with dirt cheap hard drives), but if you absolutely had to, it can be done... to a point. If I had more time, I'd post my comparison pics, but I'm in the middle of a big project. I didn't see this corrected, but PNG is not a 'lossy' format. PNG-8 is indexed to 8bit color and PNG-24 is indexed at 24bit color, but their compression schemes are non-destructive. |
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__________________
Check out my photostream on Flickr. please don't ban me |
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#32 | |
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Guanaco
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Quote:
No file format or storage is future proof or free from the possibility of change and as photographers we have to deal with it, eventually things like standard DVD will become obsolete just like floppy disc's and we will just migrate them to a new standard or file format before the means to dissapears..its really no big deal that a file format might go out of favour . And I can think of a quite a few camera own raw formats that are no longer supported and DNG or Tiff conversion would have been good photographic house keeping . ![]() As to the resaving argument of jpegs lets get it into perspective ,yes its lossy but for it to be it has to be reopened and worked on again before there is a loss. Now if you belive that continual reopening and reworking of a Tiff is none destructive then you are mistaken, any continual and repeated pixel pushing of the original TIFF image/file is degrading it . Only raw file editing is none destructive to the original image. |
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__________________
Regard Paul Keep on snapping and catch the moment if you can. http://www.pbase.com/paulsilkphotography/ |
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#33 |
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Llama
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Quick question,
why don't you save the program you are using to convert the raw file in the same storage area as the backups ? Then it does not matter if the image file type you use stops being supported, you have the means to convert them as long as you have the image files. Cheers David |
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#34 | |
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Photocamel Master
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Quote:
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__________________
http://photography.creatiif.net http://www.texturecafe.com Free Textures & Photoshop Tutorials |
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#36 | |
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Photocamel Master
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Quote:
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__________________
http://photography.creatiif.net http://www.texturecafe.com Free Textures & Photoshop Tutorials |
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#37 |
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F1 Camel
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After reading this thread, I have come to a conclusion.
What's the best file format to save pictures in? Whichever one you want. They are all viable. You want tiff? great! Jpg? Swell! Raw? Good for you! Any one or all 3? Awesome! |
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__________________
http://www.facebook.com/pages/Lofty-...y/300343741700 My facebook photography page |
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#38 |
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Bactrian
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Pretty much the final result of any thread that starts, "WHAT IS THE BEST.......?"
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__________________
Keith "Photography is at its core an attempt to represent the reality of light in a media that can't faithfully reproduce it." - Karl Lang NAPP. . . . .My NAPP referral link Digital SLR Basics (Blog) Adobe Bogen Dell Giottos hdrSoft Imaginomic Lexar Nikon Pelican Sekonic Sigma Tenba Topaz Labs Vivitar Vagabond Wacom Western-Digital |
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#39 |
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Alpaca
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Well, I go about this rather differently. First I take all my photos in raw. When I import them I use FastStone (free software and one of the best in my opinion) to rename the files to the date taken and sequence number. I then go to a directory where I have my "Saved Originals" folder and create a new folder under this with the reason or place I took the pictures and save the original renamed raw files here. I then create a duplicate "working: file. The next step is to use FastStone's comparison utility to compare similar shots and eliminate bad shots by deleting them from the working file. Now I go to Photoshop and batch convert the remaining working files to .tiff as I am going to modify these shots and may resave them a number of times so I want to go lossless. After working a file I will resave it in an appropriately named folder as a .tiff file and may also save, in this file a .jpeg if I am going to print it or post it for friends and relatives. Then periodically I will back up these files both to a separate hard drive and to an internet backup site. Obviously, I am not concerned about file size as storage is dirt cheap.
Comments and criticism with this approach are welcome. Thanks, kidnanrud |
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#40 |
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Vicuna
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Firstly I keep all RAWs. I use Lightroom which works with the internal catalogue files and leaves the original RAWs untouched.
Any file that needs further post-processing is converted to PSD from within Lightroom and then taken through Photoshop. Final output is a 48-bit TIFF. TIFFs have been around for the last three decades and they will be with us at least as long. TIFFs do not need to be so big, as you can use several flavours of losless compression on them (LZW, RLE or ZIP). There are plenty apps out there on all systems, that can read/write TIFFs, so it really is very universal. I generate additional JPGs only to giove files to customers or to send them for printing. I don't store them longer than necessary. Ben __________________
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