![]() |
![]() |
![]() |
|
|
|
|
#21 (permalink) | |
|
Vicuna
|
Quote:
And not to knock the Canon engineers, who are very good, you have to consider that a company like Adobe has the clout to hire some of the best imaging professionals in the world. While the Canon software guys have a direct line to the hardware engineers, there's still a lot to be said for Adobe's advantages even if they have to reverse-engineer the sensors. Which isn't to say that I'm pushing Adobe as I personally use Aperture for the majority of my work (I find the image quality to be competitive and I feel Aperture's UI is far superior to Lightroom.) __________________
__________________
Members don't see this ad. Register your free account today and become a member on PhotoCamel - Your Friendly Photo Community, gaining access to posting privileges, contests, free plug-ins and other downloads, unlimited online storage for your photographs, reviews, free marketplace listings, and much more. |
|
|
__________________
Equipment: Canon 40D, Canon 20D, 24-70L f2.8, 70-200L f4 IS, 10-22 EF-S, 50mm f1.4, 100mm f2.8, EF 1.4x II, 430EX |
||
|
|
|
|
|
#24 (permalink) | |
|
F1 Camel
|
Quote:
that is *NOT* a nice thing to say to a fellow photographer trying to understand RAW......U R warned, tone down! ![]() ![]() Max@Home |
|
|
__________________
[Canon] [EF-S10-22] [EF16-35L II] [EF-S17-55IS] [EF24-70L] [EF28-300L IS] [EF70-200F2.8L IS] [EF100-400L IS] [EF50F1.4] [EF85F1.2L II] [EF100F2.8Macro] [EF 1.4x II] [430ex II] [580ex II] [ST-E2] [CP-E4] [BG-E2N] [EOS-1D Mk III] [EOS 40D] [PowerShot Pro1] [PowerShot G3] [CPS member] ...images ??... |
||
|
|
|
|
|
#25 (permalink) |
|
Photocamel Master
|
Excuse me
You are kidding, right? I certainly hope you are. Edit: Both mine and your first languages are not English, so I suppose something was lost in the translation. It will surely be nice if you explain what you meant above. |
|
__________________
It's all about light, my friend. |
|
|
|
|
|
|
#26 (permalink) | |
|
F1 Camel
|
Quote:
And I weighted in the -non-native speaking element, that is why I -only- warned. ![]() Max@Home |
|
|
__________________
[Canon] [EF-S10-22] [EF16-35L II] [EF-S17-55IS] [EF24-70L] [EF28-300L IS] [EF70-200F2.8L IS] [EF100-400L IS] [EF50F1.4] [EF85F1.2L II] [EF100F2.8Macro] [EF 1.4x II] [430ex II] [580ex II] [ST-E2] [CP-E4] [BG-E2N] [EOS-1D Mk III] [EOS 40D] [PowerShot Pro1] [PowerShot G3] [CPS member] ...images ??... |
||
|
|
|
|
|
#27 (permalink) |
|
Photocamel Master
|
Then you are a little off, Max.
What I said was meant in a light-spirited way to somebody I feel comfortable being frank with; hence the quotation of the "freakin" word. IP is a very cool guy. Btw, dangling your "authority" for such a minor issue (imo, but subject to IP's approval) is not very appetizing. And I mean it in the friendliest of ways. Best regards, from a friend to a friend. Edit: I admit, "badly taken" is not a nice thing say. "badly exposed" is better. |
|
__________________
It's all about light, my friend. |
|
|
|
|
|
|
#28 (permalink) | |
|
Vicuna
|
Quote:
If you shoot under controlled lighting and you set your exposure with impeccable precision, JPEGs straight from the camera will rival the results from a straight RAW-to-JPEG conversion (if you're well-trained with your software, you can still pull just that-much-more out of your RAW image). If you're dealing with rapidly changing situations or you find that the one-in-a-million shot came while your exposure was just one stop too low or too high, then there's a phenomenal amount of data in that RAW data that you can get to, if you know how to get it out of RAW image. So the worse the image is, the better a result you can get from the RAW image. I took a photo of the setting sun while on a cruise and if you rollover this image, you can see the difference between Aperture's default rendering (somewhere in the ballpark of a JPEG from the camera) and my own rendering with just a few minutes of work. Sunset |
|
|
__________________
Equipment: Canon 40D, Canon 20D, 24-70L f2.8, 70-200L f4 IS, 10-22 EF-S, 50mm f1.4, 100mm f2.8, EF 1.4x II, 430EX |
||
|
|
|
|
|
#30 (permalink) |
|
F1 Camel
|
Ok, So I did a test run in shooting raw. Here is a pic of my kids. I don't want to say don't critique cause I mainly took this to try raw and see the results of my poor editing skills. lol...Ok, I don't really think I am that bad. But I know I can always continue to learn. But here is my attempt.
|
|
__________________
"Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring." Weapon of choice: Sony Alpha 200 Lense: Sony 18-70mm Sigma 28-200mm www.myspace.com/tilltheybleed http://www.vanishingtattoo.com/inked...hy_gallery.htm |
|
|
|
|
|
|
#31 (permalink) |
|
F1 Camel
|
Oh, it's ok to critique. But be nice to my kids please....
|
|
__________________
"Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring." Weapon of choice: Sony Alpha 200 Lense: Sony 18-70mm Sigma 28-200mm www.myspace.com/tilltheybleed http://www.vanishingtattoo.com/inked...hy_gallery.htm |
|
|
|
|
|
|
#33 (permalink) |
|
F1 Camel
|
lol.....Thanks Bob. I was irrate with the kids cause they were not cooperative. They didn't want to take a pic at all. I must admit. I can see the difference in shooting in raw. But I am confused about the whit balance. When I moved it I could tell no difference. What is it for> To control color and things of that sort? Once I transfered it to Jpeg. The only thing I did in photoshop is use the clone stamp and the action tool for the frame.
|
|
__________________
"Imperfection is beauty, madness is genius and it's better to be absolutely ridiculous than absolutely boring." Weapon of choice: Sony Alpha 200 Lense: Sony 18-70mm Sigma 28-200mm www.myspace.com/tilltheybleed http://www.vanishingtattoo.com/inked...hy_gallery.htm |
|
|
|
|
|
|
#34 (permalink) |
|
Llama
|
I have a hard time getting mine to pose too. Smiling normally is just impossible for them!
Adjusting white balance in raw should make a big difference. It will control the overall color balance. Lower numbers make it look bluer, and higher numbers make it look redder. Daylight is about 6500K. Bob |
|
|
|