![]() |
![]() |
![]() |
|
|
|
|
#1 (permalink) |
|
Guanaco
|
A little survey here on which way you review your histogram. RGB or
brightness. Most importantly if you answer this which format do you shoot? Raw or .jpg. I use the RGB and I sometimes make adjustments in the WB Shift/BKT if I clip a certain color. But, since I shoot RAW I find this a useless feature. After all, your seeing a in-camera converted .jpg histogram anyway. __________________
__________________
Members don't see this ad. Register your free account today and become a member on PhotoCamel - Your Friendly Photo Community, gaining access to posting privileges, contests, free plug-ins and other downloads, unlimited online storage for your photographs, reviews, free marketplace listings, and much more. |
|
|
|
|
|
#3 (permalink) | |
|
Guanaco
|
Quote:
feature. Anyway, have you had the chance to use this option yourself? Actually since you brought it up, the one who don't have this option are welcome to elaborate as well. |
|
|
|
|
|
|
#4 (permalink) |
|
Dromedary
|
I use RGB, shoot RAW and find I often reshoot a flower to tame the blown red channel. Yes, the histogram shows the JPG but you have control over the settings for the JPG even though it is not the saved file. How much and what control depends on camera model but setting to a lower saturation and contrast might help if you suffer from false positives of blown highlights.
|
|
__________________
Doug Smith http://www.pbase.com/dougsmit |
|
|
|
|
|
|
#6 (permalink) | |
|
Llama
|
Quote:
Often one requires some blown highlights in order to expose the subject properly. I don't consider this a bad thing. Often, exposing to not blown any highlights makes for a bad picture. Until our DSLR's provide human-like DR, this is a challange we all deal with. |
|
|
__________________
________________________________________________ Wedding Hack, 5D's, L primes 14mm through 200, L zooms 16mm through 400. |
||
|
|
|
|
|
#7 (permalink) |
|
Llama
|
There is no crime in blowing highlights...you must do what gives you the image you want. All you are doing is loosing information.
"Often, exposing to not blown any highlights makes for a bad picture." Maybe, but with the miracles of Photoshop one can expose to preserve all the information that is available and then make the image look anyway you please. Once the image is blown, the information is lost. |
|
|
|
|
|
#8 (permalink) |
|
Camel Breath
|
I've already posted some of my thoughts that are related to this in this post: http://www.photocamel.com/forum/198571-post20.html. The in camera is only a general reference, as is the histo in the raw converter. Once the file is converted to an actual 16 bit/channel image format (raw is data, not an image format) I can look at both views and trust that the data I am viewing is accurate.
|
|
__________________
¿ <°)))))>< |
|
|
|
|
|
|
#10 (permalink) | |
|
Llama
|
Quote:
True, but why "save" unimportant data at the expense of the subject, especially the shadows on the subject? Are you suggesting that one should never blow highlights? To get the most image detail, especially in the shadows, one has no choice but to judiciously blown some highlights, or at the very least expose to the right...raw shooting wise. |
|
|
__________________
________________________________________________ Wedding Hack, 5D's, L primes 14mm through 200, L zooms 16mm through 400. |
||
|
|
|
|
|
#12 (permalink) |
|
Llama
|
Once the tone reaches binary value 255, it's gone forever, or in the case or raw, a value of 4,095 (12-bit). Or if in both cases, the value is 0 (zero), then that shadow is gone forever too.
|
|
__________________
________________________________________________ Wedding Hack, 5D's, L primes 14mm through 200, L zooms 16mm through 400. |
|
|
|
|
|
|
#13 (permalink) |
|
Dromedary
|
Not really. RAW is a set of values which can be utilized by a conversion program to build an image viewable on screen or saveable in one of the image formats (JPG, TIFF etc.). The same information will not be displayed in exactly the same manner when using different conversion programs even when using default settings. Cameras do not really record images but the sensors produce a series of digital values that approximate the analog world which become images either through an in camera 'engine' guided by 'parameters' or by RAW converters that allow interpretation of the data. No camera is an exact clone of the human eye/brain team; no image format is a perfect mirror of reality. That may be why each of us has our own preferences regarding what happens to light between the click of the shutter and the final result.
|
|
__________________
Doug Smith http://www.pbase.com/dougsmit |
|
|
|
|
|
|
#16 (permalink) | |
|
Llama
|
Quote:
Raw describes an image. Sure it is colorless, color space free, but nonetheless, the raw format is an image format, as you can display an image from it, in the same way that jpg, tiff and all the other formats describe an image. |
|
|
__________________
________________________________________________ Wedding Hack, 5D's, L primes 14mm through 200, L zooms 16mm through 400. |
||
|
|
|