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#41 |
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Bactrian
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I think this one even better, Rocky.
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#42 |
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Bactrian
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#43 | |
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Bactrian
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If the old timers had Plus X, we may never have had this school of photography. |
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#44 |
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Bactrian
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#46 | |
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Bactrian
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#47 |
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Bactrian
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You're in the right direction. Grain alone isn't what this is about. It needs that sentimental / soft look too. Try a soft focus on the bride and less grain / contrast to see what you get.
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#48 |
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Bactrian
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Geeze, Bob, that's a great series and right in the middle of the genre. Weston had a slightly more interesting attic to work with & he also moved to camera right from your perspective, but still, this is work to be proud of.
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#49 |
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Dromedary
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C & C is always appreciated Join us for Banff/Jasper - Summer 2010 Also know as "Camels in the Mountains" ~ Rocky ~ |
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#50 |
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Dromedary
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__________________
C & C is always appreciated Join us for Banff/Jasper - Summer 2010 Also know as "Camels in the Mountains" ~ Rocky ~ |
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#52 |
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Vicuna
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The Orton Effect can be used to produce this sort of dreamy pictorial look from either analog or digital images
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Shooting with a Canon 5D MkII, a Panasonic GF-1 (both Digital), an Olympus OM2 (35 mm Film) and a Mamiya RB67 (medium format film) |
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#54 |
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Vicuna
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When I look at pictorialist photos it's not the grain I'm seeing that's causing the effect. I believe the main proponents of this style were shooting for a softer, rather dreamy look rather than a soft large grain look.
My 2 cents at any rate. |
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Shooting with a Canon 5D MkII, a Panasonic GF-1 (both Digital), an Olympus OM2 (35 mm Film) and a Mamiya RB67 (medium format film) |
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#55 | |
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Bactrian
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I thought when I did this that the challenge would be exclusively Orton Effect. I have been surprised at its absence until your image. IMO, your post is an excellent example of the school and a darned fine image in any case. |
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#56 |
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Vicuna
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Thanks!
I'm personally not a big fan of this approach because I think too many people use it to try to 'save' out of focus pictures but it can be really lovely in a sentimental sort of way. I definitely agree that much of the pictorial look was due to the then current technology. Lenses and emulsions were fairly primitive then. Duplicating those problems with current tools and methods is not a particularly easy problem, ironically. |
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Shooting with a Canon 5D MkII, a Panasonic GF-1 (both Digital), an Olympus OM2 (35 mm Film) and a Mamiya RB67 (medium format film) |
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#57 | ||
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F1 Camel
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Quote:
Quote:
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Kellycat |
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#58 |
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Bactrian
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Softened a bit and cropped.
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#59 | |
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Bactrian
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Quote:
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#60 |
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Bactrian
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Here is my interpretation. Please fill out if you give permission to edit or not. I took a chance and did it anyway. If you don't wish me to have done so, then let me know and I'll delete.
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