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#1 (permalink) |
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Camel Breath
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What do you have to do to keep from blowing out the white in bird photography? Dial down, yes, but then the background is boring.
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#2 (permalink) |
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Vicuna
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I don't think there is much option except to shoot in Raw, do two conversions and then combine them to extend the dynamic range
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Canon 10D, Sigma 15-30, Canon 50 mm f/1.8 Canon 28-135 mm IS, Canon 70-200 MM f4. Optech strap!<br />(Plus some quality worthless Minolta 8000i gear) <br /><br />Update - the 10D and the 28-135 for sale due to imminent (I hope) arrival of 5D plus 24-105L IS.<br /><br />Feel free to edit and repost anything I post. |
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#3 (permalink) |
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Guanaco
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This is a tough one, but the only solution really is to do an exposure compostion for the whites of the bird, and the you will need to adjust the levels in the shadow areas to bring them out more.
For me, I use two actions that help bring out the dynamic ranges with good results without blowing away the highlight areas of the image. I would always under expose a white subject and deal with the rest of the image later. Always one thing to remember is that you can recover most of the subject matter if it is under exposed, but you cannot recover blown highlights at all. All the details will be lost for ever. Dennis |
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Dennis Kaczor<br /><br />Canon 30D<br />100-400mm F5.6L IS<br />100mm F2.8 macro<br />17-40mm F4L<br />50mm F1.8<br />550ex / 420ex flash<br />Tamron 1.4x Extender<br /><br />My Web Forums @ http://www.icurdigital.com |
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#4 (permalink) | |
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Vicuna
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Quote:
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Canon 10D, Sigma 15-30, Canon 50 mm f/1.8 Canon 28-135 mm IS, Canon 70-200 MM f4. Optech strap!<br />(Plus some quality worthless Minolta 8000i gear) <br /><br />Update - the 10D and the 28-135 for sale due to imminent (I hope) arrival of 5D plus 24-105L IS.<br /><br />Feel free to edit and repost anything I post. |
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#5 (permalink) | ||
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Guanaco
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Quote:
I should point out that I just ran a test with your process, and I must say this works very well with the hightlight areas. I have more details in the mid tones and in the highlights... This is one good way of getting the whites nice. Now off to try a Great Egret Image. __________________
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__________________
Dennis Kaczor<br /><br />Canon 30D<br />100-400mm F5.6L IS<br />100mm F2.8 macro<br />17-40mm F4L<br />50mm F1.8<br />550ex / 420ex flash<br />Tamron 1.4x Extender<br /><br />My Web Forums @ http://www.icurdigital.com |
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