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#1 (permalink) |
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Alpaca
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opinions:
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JW-Photo: NYC Automotive photography |
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#3 (permalink) |
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Photocamel Master
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I think its a cool shot
Very nice |
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Feel free to edit any of my photos<br />All comments welcome and appreciated<br />London England<br />Canon 1Ds2<br />I lost faith in religion as a child when I saw a lightning conductor being fitted to the local church. RSPB Member. |
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#4 (permalink) |
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Dromedary
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Yes! It is a kool shot.Now it's sharing time. Please tell us the process. Fantastic efect.
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JC Digital Expressions: Jennifer Millan & Chuck Lyman - We are JC Digital Expressions Photographers. Located in Jacksonville Florida All comments welcome on our photos! Using: Olympus E-300 |
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#5 (permalink) | |
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Alpaca
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Quote:
The original capture was shot with a 20D and a 17-40 f/4L, through a Cokin orange filter and a circular polarizer. I shot this about a year ago and I wish I'd thought to bracket the shot by about 1 2/3 stops to so I could layer the image and reduce the solarization on the front of the car. In photoshop, I created multiple layers of the image so I could treat the ground and various parts of the car individually. First, for the car, I used the clone tool to spot out imperfections, and the healing brush to blend in the solarization around the hotspots. Then I adjusted levels and contrast to taste and did some dogding and burning. After that, I sharpened the image using USM and adjusted local contrast with USM. On the background layer, I added a motion blur to the ground and reflections on the windshield, then I adjusted levels and desaturated the image to make it more neutral. I then added a reveal all layer mask to the car layer and and selectively removed the portions of the layer to uncover the motion blurred ground and reflections. Next, I duplicated the car layer, removed the layer mask and adjusted the levels and saturation to make the headlight, hood vent, and the d-max areas more neutral in color. I added a new hide all layer mask and painted in the areas that I wanted more neutral. Finally, I duplicated all three layers, linked the duplicates and merged them into a single layer (now I have 4 layers). I used the oval marquee tool to select most of the image, except the lower corners and a band across the top of the image near the windshield. I feathered this selection 150px and deleted the selection. I then changed the blending mode to multiply for this layer and reduced the layer opacity to taste to simulate a vignette. I saved the image as a PSD and then flattened, resized and re-sharpened the image before uploading and...voila! |
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JW-Photo: NYC Automotive photography |
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#6 (permalink) |
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senses working overtime
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Great image, and an excellent description of your photoshop actions. I love these types of posts where you see into the eye of the photographer. Thanks!
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