Re: Very Large Softbox
Instead of using very large softboxes (or even huge umbrellas) I read somewhere about a pro photographer that painted all of his studio's walls and ceiling white and then turned his main light around behind him and pointed it at an upper corner (where the ceiling and two walls meet) and used his room for a softbox.
Kinda like when at a wedding and turning the flash towards the ceiling, a wall or the big dude with the white shirt/suit next to ya.
Might work if you only painted the rear part of your studio white (behind the camera) and then painted the rest matte black to control the light reflection somewhat.
|